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She has changed by the end, in the sense that she is now a professional teacher, who wants children of her own, and she has been in love with a lesbian her identity as a bisexual woman is seemingly more clearly-established, too, the writer-director teasing a possible burgeoning relationship with actor-turned-estate agent Samir (Salim Kechiouche) during the final moments.
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When we first meet Adèle she is at school: quiet, a little bit shy, but still managing to experiment with girls and boys as she explores her sexual identity. Having finally caught up with the long first installment of this French realist drama I would love to see what happens next to its main protagonist, and am hopeful that we’ll get an expansive, Truffaut-esque serial, though given apparent on-set troubles between the filmmaker and his cast and crew it seems sadly unlikely at this stage.Ĭontroversial upon release in 2013 because of those rifts but primarily on account of its graphic sex scenes, most of which feature teenage student (and later teacher) Adèle (Adèle Exarchopoulos) and slightly-older art student Emma (Léa Seydoux), Blue Is The Warmest Colour is more about Adèle’s life than the pair’s relationship – though that’s still a big part of the story – with Seydoux taking more of a back seat during the first and final acts. Abdellatif Kechiche’s Palme d’Or-winner was presumably going to get a ‘part 2’ at some point, or rather the ‘chapitres 3 & 4’ that the original French title promise.